Nevermoor – Morality and Values in an Imagined World

Cover image courtesy of Hachette Australia. Design by Beatriz Castro, illustration by Jim Madsen.

‘I know everything about this world’, declares Jessica Townsend in an interview with Publisher’s Weekly. Which world is she talking about? The world of Wintersea and the Free State; the world inhabited by Morrigan Crow, chief protagonist in Townsend’s new fantasy series, Nevermoor.

Writers of fantasy fiction create not just characters and plots for their novels, they imagine whole new worlds. Worlds with unique geographies and climates; technologies and customs; and even, on occasion, languages. (Think of J R R Tolkien’s The Lord of the Rings.)

In addition to these tangible elements, fantasy authors need to envision the moral framework that governs their created world and the values that underpin it. What principles will determine issues of right and wrong, of justice, of the exercise of power? Will their world operate within the boundaries of a belief system? Will myths and stories from the imagined world’s past (or from other, known worlds) influence the present?

The Story So Far…

In Nevermoor: The Trials of Morrigan Crow, Jessica Townsend begins to reveal the world she has created for her debut series. Very briefly, Morrigan Crow, an eleven-year-old, cursed child, is facing imminent death—a fate that awaits all children born on Eventide. Her family is resigned to her demise, perhaps even welcoming the shedding of an awkward burden. But Morrigan is offered an alternative, albeit uncertain, future.

She departs Wintersea under the care of her newly emerged patron, Jupiter North. Jupiter, a member of the Wundrous Society, runs Nevermoor’s Deucalion Hotel in the Free State. But entry into this realm is by invitation only. To remain there, Morrigan must compete with other children for admission to the exclusive Wundrous Society. Meanwhile, waiting in the wings, is the nebulous figure of Ezra Squall, who (like Jupiter) vies for the role of Morrigan’s patron.

What clues does Townsend offer her readers to help them understand the moral shape of her imagined world? There are hints in the names of people and places, in the values that are affirmed, and in the exercise of power.

Names: more than meets the eye?

Authors often give clues to the true nature of their created worlds through the names they select for characters and locations. Here are three of Townsend’s choices:

Morrigan Crow: Morrigan is the story’s main character. She shares her forename with an Irish goddess (who often appeared in the form a crow) whose name means ‘Great Queen’ or ‘Phantom Queen’. In Irish mythology, Morrigan is associated with power and sovereignty. Townsend seems to be offering her readers an insight into Morrigan Crow’s true nature and prospects.

Marble head from a statue of Jupiter. British Museum.

Jupiter North: Jupiter is Morrigan’s patron. His name suggests two associations: Jupiter, the supreme Roman god, who provides protection and upholds society’s laws, and ‘north’, the direction sometimes used to indicate the moral compass-point that guides us. When Morrigan’s new patron suddenly appears in Wintersea to take her away to Nevermoor, she asks: ‘Where are we going?’ Jupiter North responds: ‘We’re going home, Morrigan Crow.’

Deucalion: Jupiter’s hotel shares its name with that of the Greek god Deucalion—the Greek equivalent of the Judeo-Christian ark-builder, Noah. In Greek mythology, Deucalion survives a great flood and is offered a second chance at life. Does the Deucalion Hotel represent a hopeful future, in a kinder world, for Morrigan? On the roof of the hotel, soon after her arrival in Nevermoor, Morrigan feels ‘expansive, bursting with a new joy’:

‘It’s a New Age … and I’m alive … This was her second chance; the beginning of a new life she never dreamed she’d have.’

Character and place names help build a picture of the world Townsend is creating, a world where power is wielded, protection offered, and futures re-made.

Values

The Free State is renowned for ‘innovation, industry and thirst for knowledge’. Those who seek to qualify for membership of its highly selective Wundrous Society must manifest those characteristics via a series of trials that test them ‘physically and mentally’.

In the Book Trial, candidates’ honesty is tested. Morrigan proves herself worthy through her ‘sincerity, reasoning and quick thinking’. The Chase Trial requires ‘daring, tenacity and an instinct for strategy’. The Fright Trial distinguishes ‘the bold from the meek’, exposing candidates’ courage and resourcefulness. Finally, the Show Trial reveals candidates’ talents or ‘knacks’. Interestingly, Morrigan learns that knacks are not regarded as candidates’ most significant quality. Jupiter explains that children with ‘fascinating knacks’ might be knocked out in the first three trials.

‘The point is … if you are not honest, and determined, and brave, then it doesn’t matter how talented you are.’

The Wundrous Society Elders need to establish ‘what sort of person you are’ first.

Honesty, tenacity, boldness and talent are the Wundrous Society’s entry hurdles. But, as Jupiter tells Morrigan, once admitted, members must earn that privilege, ‘over and over again, for the rest of your life’. The flip side of this commitment is that the Society will ‘have your back until the day you die’. This is especially good news for Morrigan who was viewed as an encumbrance and a liability in Wintersea. In Nevermoor, membership of the Wundrous Society could afford her: ‘Family. Belonging. Friendships to last a lifetime.’

Power

Readers of Nevermoor: The Trials of Morrigan Crow are not fully apprised of Jupiter North’s motives for bringing Morrigan into Nevermoor. (There are some clues and, no doubt, more will be revealed in the second book in the series.) In any case, Jupiter North is not the only one vying for control of Morrigan’s future and her latent power. There is also Ezra Squall to consider.

Almost all fantasy worlds are underpinned by a battle between good and evil. Townsend’s world is no exception.

When Morrigan is given the chance to choose Ezra Squall as her patron, the offer is couched in these terms: if she accepts Ezra’s invitation, she will eventually become heir to the Squall Empire:

‘Every citizen, every household in the country will owe you a debt of thanks. You will be their lifeline – the provider of their warmth, power, food, entertainment.’

Morrigan is asked to envision what it would be like to be ‘so beloved. So respected and needed.’

For those acquainted with the New Testament, this offer will have a familiar ring. In accounts of the temptation of Jesus, the devil shows Jesus ‘the kingdoms of the world’, saying: ‘All this I will give you if you bow down and worship me’ (Matthew 4:8). If Morrigan aligns herself with Ezra, there is evidently much to be gained.

Ezra’s offer also echoes the power afforded by the One Ring in The Lord of the Rings. When Frodo offers the ring to elf queen Galadriel, she sees clearly what acceptance would mean: ‘All shall love me and despair!’ She, like the wizard Gandalf, refuses the offer.  As Gandalf puts it: ‘With that power I should have power too great and terrible … Do not tempt me!’

Which side will Morrigan (and Townsend) choose? Remember Morrigan’s name means ‘Great Queen’—there will be power at her disposal, but how, and with whom, will she wield it?

Want More?

This post only scratches the surface of Nevermoor’s moral framework. The narrative mix also incorporates anxieties over border control and ‘illegals’, litigious propensities, class distinctions, and Hallowmas and Christmas celebrations. To see how these factors influence Morrigan’s world, you’ll just have to read the book yourself! (In case you’re wondering, my own Nevermoor reading experience was entirely delightful. I’m ready and eager to ‘Step Boldly’ into book two. )

Links and Sources

Design by Beatriz Castro

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